Showing posts with label Post-Rock. Show all posts
Showing posts with label Post-Rock. Show all posts

Thursday, September 1, 2011

090111

What's It Called?
Surgeon - Spectrum (Direct download, posted on their facebook wall)

What's The Story?
Anyone under the age of 30 in St. John's has probably seen Hey Rosetta! more times than they care to count; this is a side project that involves their drummer and bass player. They have a CD offering of some sort that's been in the works for a while, but is yet to have a release date proper.
Trying to pigeonhole the genre that Surgeon fits into is best related through story; at their last show, they were covering King Crimson's Red, and it was then that someone told me it was actually a cover and not one of their songs. It fit in so seamlessly with their instrumental post-rock style that they fooled me.

Who's To Blame?
A bass player whose name is routinely, affectionately and drunkenly shouted at bands he plays in, and occasionally at bands he doesn't.

Why ♥ It?
The song starts mysterious and busy, with the drums sounding like seconds ticking away and the guitar fidgeting in ambiance. This is quickly replaced by a dark, heavy movement reminiscent of Russian Circles or Tool. They play within this framework for a minute or so before a chord at 1:36 that sounds so hateful and cool that it's worth its own sentence. The busy guitar returns, but is now accompanied by an effect-laden bell sound.
The best part of the song is probably the reinduction into heavy at around 2:30, that brings tempo and soaring lead guitar with it. The dynamic between slow/moody and fast/heavy is done impeccably.
The sad thing about a band like Surgeon, though, is that it's hard to capture just how impressive the music is as a recording. What you hear in the track is played effortlessly live, with the only deviations being by design for flair. It's always great to be able to see a band of that quality live so frequently because they're local.

Friday, August 6, 2010

080510

What's It Called?

What's The Story?
This track is from The Fall of Troy's second album, Doppelganger; although it originally appeared on their first, self-titled album.

Who's To Blame?
A plastic guitar with multicolored buttons.

Why ♥ It?
Take excitement, harness it into a ball of pure energy, and throw that ball at a small child. That is what it feels like to listen to this song.
The dissonant chords and screaming at 0:20 set an intense stage for what's coming. As this transitions into the verse, the song is off and sailing at a frantic pace. The scream is replaced with a clean vocal (The Fall of Troy alternates as well as anyone), and the verse is a flash. I think I might've liked the chorus better if it kept clean vocals, but I'm sure many would disagree, and I'm down with that. The band does a good job on both fronts regardless. Like alternating between a scream and clean vocals; The Fall of Troy does the entire post-rock genre justice.
& the lead guitar is phenomenal. There's always a voice from that layer.
The outro is totally noteworthy as well. The last minute feels like jamming over the same riff forever; on stage that minute could easily become 10. Generic jam songs aren't all too common in post-rock, but this may be as close as you're getting.
If you want something that is at once intense and fun, check this track out.